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Serenity (detail), 2002
Gouche, ink, thread on paper
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Ruby Osorio, who received her B.A. in Sociology
and Chicano Studies from the University of California, Los Angeles, is
concerned with upending traditional representations of Latinas in art
as well as in the mass media at large. Ranging in size from hand-sized
sketches to mural-scaled works, Osorio's cartoon-like drawings can appear
deceptively charming and "cute," but, like a teenage girl who
has mastered the art of jujitsu, they pack a surprising punch. What is
ultimately at stake for Osorio is not beauty, but power, more specifically
the empowerment of women. Juxtaposing sutured bits of thread with solid
inked lines and appliquéd elements, Osorio's subject matter is often
erotic in nature. Young women in undergarments frolic in natural settings.
Usually, there are no men in these scenarios, only lovely women with flowing
hair flitting like tiny, enchanted creatures amidst flowers, stars, and
butterflies. Upon closer inspection, we see actions that are normally
considered taboo: a woman sitting on the toilet, for example, replaces
the historically far more common trope of a nude woman submerged in a
bath. Desire, even lust, are celebrated in Osorio's quirky paeans to femininity,
but their real power emerges not from any particular act of rebellion
but rather in her characters' exuberant embrace of life and nature, without
shame or hesitation. Here, there is no contradiction between (or sense
of mastery over) the individual and the natural world, only harmonious
coexistence.

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Ego, Eros and Evolution, 2002
Gouache, paper, ink, thread; 136x64 in
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Ego, Eros and Evolution (detail), 2002
Gouache, paper, ink, thread; 136x64 in
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